Tuesday 26 January 2016

OUGD502 - Studio Brief 1 - Creative Report - Interview with Frederik Ost

For the article could you take a selfie of Snask working in your studio, pretty please?
Here's one from our wrap up of our film production we recorded last week:


And here's a photo of us working on it in the studio:


It's an online course that we remade into a TV-show format.

Are you a dog or a cat person?
DOG! Cats are so deceiving, dogs feel more honest.

Do you prefer tea or coffee?
Coffee everyday of the week. It's the black gold, the water of life.

Describe Snask in 3 words
Pink, champagne and creativity.

How did you come up with your manifesto? Is there a story behind it?
During our student years we just started to write down a lot of statements about things that bothered us or things we really felt like standing up for. It became a 95 statement long list of good and bad ones. In the end we singled it down to the 10 most relevant and that's how it came to be. It's still changing whenever we feel that it should or need to. Conservatism is nothing we would ever support.

What is your favourite thing to do within the design process?
Not sure. I think the whole process is fun with seeing the result as the peak of it.

What is a typical day like in Snask studios?
Everyone gets in around 09. Coffee, headphones and meetings. Everyone are very independent here without being lonely. We all have our own responsibility to deliver and we all know that we are superstars within each and everyone's specific ability. Everyone are also doers so no one needs to get told what to do. We all eat at 12.00 sharp except for Richie, who's British. In Sweden everyone eats lunch at 12, not sure why. After that it's back to work, building something by hand or something else entirely. At 17 we go home. Sometimes someone works overtime but we want people at Snask to have a life on the side, otherwise they will get depressed.

What is the most outrageous/weirdest thought or design you have come up with?
It must be our peeing election we made at a music festival many many years ago with PJADAD. It was a general election for the Swedish government that year and we felt that young festival attendees didn't care too much for politics, which is just very very stupid. So in order to get them to take a stand we drew every party leader's face and made a hole in the mouth that we connected with a rubber pipe and down to a transparent container. People then pee'd into the mouth of the party leader they least wanted to win. Guys pee'd straight in, girls pee'd behind it into a cup and poured it in. Since the containers were transparent you could see the amount of pee in every one of them. The one with the least pee would win the peeing election. The people got very engaged and a lot of the parties that were there said they never seen such engagement for a government election before. Kids took stickers and put them over the mouth of their own party leader and some even asked if other people could pee in a certain mouth just to make them loose. See photo, the only one we got and no, it's not high res.

Infogad bild 1

What is your biggest design pet peeve?
Probably clients who don't understand the process or importance of design. Otherwise it must be people who think technology is the key to design, like 3D or stuff like that.

A lot of your live action work is stop motion animation, how did you first get into this?
Actually we call live action work every film that is not stop motion or animated. But yes, we do a lot of stop motion. Richard Gray was a huge factor in this since he did one of the first client stop motion films for us and since become a legend within this field.

Snask’s work is always so colourful and bold, but I wondered, do you have a certain colour that you just won’t use or dislike?
Not at all. We love every color and it all depends on situation.

Do you have any advice for any new graphic design studios?
Be yourself. Fuck the conservative world and part of our industry. Make sure to be big online, not in your local community. Be pro equality within our industry when it comes to gender, ethnicity, class, sexuality etc.

If you had to choose one font, that was the only font you could use for the rest of your life, what would it be?
Not sure at all here. If only one was allowed for us then Helvetica is a tempting choice. However we find it extremely boring, not because of itself but because everyone use it and most often in exactly the same way.

Finally, if you could go back in time what advice would you give to 20 year old you?

Don't go to the Greek island COS to work for 13 weeks(!) and end up dyeing your hair blue and wear a shark tooth necklace.

OUGD502 - Studio Brief 1 - Creative Report - Research

Having sent an email with my questions to Fredrik Ost I decided to research some publications ready for when I get the answers back. I decided on a printed publication because I feel like it gives me more creative freedom to arrange the interview in many different styles. Also I feel that Snask studios does more physical work than digital work so a physical publication would suit them much better.


This particular publication really caught my eye. This isn't just because of the bright, poppy colours but also because of the bold use of typography. I really like the combinations of patterns and text rather than using imagery, this gives the publication a playful feel, making readers want to read more because it looks fun and inviting. The non-traditional layout designs also add to this playfulness, pushing readers to really explore the whole page and look at it from different angles.


This publication is a lot more sophisticated and fashion focused. However I really like the use of the half cover using different stock on the front creating a reveal of sorts, making the reader want to pick it up to see what is inside. The coloured stock choices contrasted with the abstract patterns created through photography also works really nicely once again intriguing the reader to turn to the next page. The layout is quite innovative in the fact that there are fold out pages so that the publication can provide extra imagery or text that could be read while still looking at the previous page. 


Thursday 14 January 2016

OUGD502 - Taking Care of Business - Print Studio Rentals

To work out the rough budget for our new studio we wanted to try and find a place that had more or less all of the equipment we need for traditional printing methods such as screen printing, lino printing and mono printing. I was tasked with finding some of these studios that were near to Leeds and if it was possible to have a combined studio with macs and a print area. 

West Yorkshire Print Workshop



http://www.wypw.org/

We have two Kippax screen beds with vacuum facility and there is a large UV bed for exposing screens and a screen wash room with pressure washer and large sink. We also have a large drying rack for work. Different sized screens are available for use by members on a chargeable daily basis and members are also welcome to provide their own screens. There is ample storage space for all screens and members can also store their inks and work/paper.

Prices are very reasonable and start at just £5.25 per square metre per calendar month, with additional small charges for facilities such as sinks.

However, because this studio is in Mirfield and not in Leeds we would have to take travel costs into consideration. 

Hot Bed Press Printmaker's Studio



http://www.hotbedpress.org/studios/rental-prices-plans/


Studios are 24 hour access. Prices average at £85 a month and range in size and dimensions to the largest studio which costs £105 a month. All bills are included in the rent. We insure studios for fire and theft, although we also recommend tenants take out their own insurance. The first floor and the second floor are both alarmed and secure.
To express an interest in renting a studio at Hot Bed Press please email Andy Magee at info@hotbedpress.org and you will be added to the list. Studios are allocated on a first come basis. The initial payment for a studio is one months rent plus a deposit of one month which is refundable on termination of the contract. A key deposit of £20 is also required (Also refundable at the end of your contract)
Once again these studios aren't in Leeds - they are in Salford - so we would have to travel there in order to use them. This means that we would limit the time that we spend in the print studios therefore not getting the value for money.